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For many years, most Homosexual festivals reserved their finest short films for the Boys and Girls Shorts programs. Usually deemed the sexiest, funniest, or most cinematic of the bunch, they typically play to sold out audiences. Fortunately, shorts submissions have diversified and have showcased such incredible talent that festivals like Outfest offer a whole host of strong programs to enjoy.

Still, there’s nothing like packing into the Directors Guild of America’s main theatre on a Saturday morning to collectively enjoy some carefully vetted films. Unfortunately, this year, it’s just me and my admittedly cute-as-hell doggy sitting in my living room. No gaggles of gays to ogle. No over-the-top hugs, wind kisses, or overhearing the constant refrain of, “What are you working on?” My sliding A/C unit makes a valiant but futile effort to chilly us down as this endless Los Angeles heatwave threatens to kill our buzz. Outfest may experience a little less communal this year, but the quality of the filmmaking remains high. I also applaud the programmers and filmmakers for helping to redefine and expand what has made this particular program so meaningful and enjoyable time and period again. Here are my q